When one engages in a conversation with an ardent admirer of Shah Rukh Khan, often referred to as the “King of Romance,” and inquires about their preferred portrayal among his illustrious repertoire of characters, it becomes apparent that sentiments diverge depending on the inclinations of the respondent. Those who find solace in matters of the heart invariably gravitate towards Raj, the embodiment of romantic ideals, while rationalists would contend that Mohan stands as the epitome of a level-headed persona. However, among the multitude of Shah Rukh Khan’s indelible portrayals, one character, in particular, resonates deeply with many emotional beings due to his relatable flaws and vulnerabilities: Sunil from the film Kabhi Haan Kabhi Naa.
Sunil, a cherished creation cherished by the actor himself, is celebrated for his imperfections, which render him effortlessly identifiable. It is through these imperfections that he captures the hearts of countless fans. Although Shah Rukh Khan has garnered adoration from legions of followers for his enchanting depictions of an idealized man and his romantic pursuits, it is worth noting that in his earlier films, particularly those helmed by his friend Aziz Mirza, he portrayed characters who were not necessarily flawless, yet possessed honourable intentions, ultimately evolving into near-perfection.
One such character is Rahul from the film Yes Boss. Rahul harbours dreams of opulent bungalows, luxurious cars, vast wealth, and a sprawling office. With unwavering conviction, he believes that these aspirations will indeed manifest into reality, propelling him to toil tirelessly in order to please his boss. This pursuit of appeasing his superior occasionally necessitates traversing ethically ambiguous paths, yet Rahul remains resolute, recognizing that his boss holds the key to unlocking his potential for greatness.
In the midst of Rahul’s relentless pursuit, he serendipitously encounters Seema and finds himself falling in love with her. Much like Rahul, Seema also yearns for success and opulence. Consequently, she adheres to the belief that two individuals devoid of achievement cannot forge a prosperous life together. Oblivious to the fact that Rahul’s boss is entangled in a marital commitment, Seema embarks on a romantic liaison with him. In this precarious situation, our resilient hero is confronted with a formidable dilemma: he must suppress his own emotions and conceal the truth about his boss.
The ensuing narrative unfolds as a tumultuous odyssey encompassing deception, lies, and melodrama, eventually culminating in a profound realization that the love shared between Rahul and Seema transcends the boundaries of materialistic ambitions. While the film boasts one of the most remarkable soundtracks of the 90s, comprising a song for every conceivable mood, accompanied by breathtaking sequences that showcase the picturesque landscapes of Switzerland, it regrettably fails to receive the recognition it deserves as a poignant yet coming to the age love story.
Perplexing as it may be, the cinematic gem of Yes Boss is overlooked in its classification as a love story, despite featuring a winsome, dimple-cheeked young boy and a stunning supermodel who serendipitously cross paths, engage in teasing banter, eventually blossoming into a cherished friendship. The narrative unravels through moonlit strolls and gradual emotional entanglements, ultimately leading the protagonists towards an inevitable love affair. Among the film’s most endearing sequences is a climactic altercation where the two lovers engage in a heated argument, paradoxically serving as a vehicle to express their unwavering emotions towards one another.
t is truly intriguing to observe the emergence of a feminist protagonist like Seema during the 90s, a character defined by her ambition, pragmatism, and unwavering determination to carve out a fulfilling life aligned with her dreams. In a poignant turn of events towards the film’s conclusion, when Rahul’s mother discovers the web of lies Seema, along with Rahul has woven to advance her career, one might expect a familiar narrative of character assassination or shaming. Yet, in a remarkable departure from convention, Rahul’s mother exhibits a profound understanding, acknowledging that if her son can harbour ambitious aspirations, Seema is equally entitled to pursue her own dreams. This progressive and empathetic portrayal was a rarity within the realm of Hindi cinema during the 1990s, casting a spotlight on the evolving dynamics of gender and ambition.
Yes Boss, with its compelling characters and captivating storyline, possesses an undeniable charm that is often overlooked in discussions of love stories. It is a testament to the versatility and artistry of Shah Rukh Khan as an actor, where he masterfully brings flawed yet endearing characters to life, evoking a profound resonance among audiences. The film’s enduring appeal lies in its ability to evoke a myriad of emotions, underscored by a resounding message that genuine love surpasses the superficial trappings of materialistic dreams.
World of Shubhika 
Leave a comment